www.fountainparadise.net Options
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داستانی خیال انگیز از «آرتور سی کلارک»، که سه دوره ی زمانی را شامل میشود؛ در فصلهای نخستین از کتاب، دو دوره ی زمانی به موازات هم پیش میروند، که در نوع خود تکنیک جالبی برای روایت داستان ست؛ یک بخش از داستان، رخدادهای دوران پادشاهی «کالیداسا» است، که صد سال پس از میلاد «مسیح»، در «راناپورا» پایتخت «تپروبانی» به پادشاهی رسید، و بخش دیگر داستان، در سده ی بیست و یکم میلادی میگذرد؛ «کالیداسا»، در کوهستان «یاکاگالا»، دژ مستحکم خود را بنا نهاده، و قصد آن دارد، تا خود را همپای خدایان سازد؛ به همین منظور از معماری ایرانی، درخواست میکند، تا در «باغهای کامیابی»، برایش فواره بسازد؛ محفظه ای که آب به فواره ها میرساند، با تلاش صدها برده پر میشود، و فواره ها به هوا برخاسته، سپس خاموش میشدند؛ نقطه مقابل دژ «کالیداسا»، کوهستان مقدس «سریکاندا» قرار گرفته، که جایگاه راهبان، و روحانی اعظم است؛ دو هزار سال بعد «ونوار مورگان» قصد دارد، کوهستان مقدس را به مرکز منظومه ی شمسی تبدیل کند؛ نخستین پله از پلکانی که انسانها را به فضا میرساند، قرار است بر بلندای «سریکاندا» ساخته شود؛ «سریکاندا» نردبان سیارات خواهد شد؛ آخرین دوره ی زمانی داستان، دوهزار سال پس از ساخته شدن «آسانسور فضایی» است؛ زمانیکه زمین را، زمستانی سخت دربر گرفته، هوشمندانی از آن سوی منظومه ی شمسی، به دیدار انسانها آمده، یکی از آنها به نخستین ایستگاه فضایی انسانها، نگاه میکند، و میپرسد: «چرا این ایستگاه برج کالیداسا نام گرفته است، در حالی که دوهزار سال بعد از مرگ کالیداسا ساخته شده است؟»؛ راستی چرا؟
I appreciated the glimpse on the in close proximity to long run. Points are acquainted but unique. Some passages date the novel, but understandably so, no hurt, no foul there. I guess, The complete thing was just so focused on the actual elevator, supplies necessary to build it, political and lawful affairs around having approval and so forth that I did not experience the connection to the particular folks which i wanted to really feel.
I am coming on the conclusion that I'm not specially a admirer of really hard science fiction, particularly when the focus is on the appliance of latest technological innovation as well as specialized and engineering troubles that need to be get over.
The parallels involving Morgan and Kalidasa — equally are engineers in advance of their time, who outrage personalized by "complicated the gods" — are very easy to grasp, but not banal. In truth, the juxtaposition of Morgan's and Kalidasa's stories is a canny narrative selection on Clarke's element. Your entire story is written With all the grace and overall economy of prose that may be Clarke's contacting card. A great deal of wit spices up the proceedings too. Clarke Evidently sees human ambition, even at its most awe-inspiring, as getting its amusing side. An elevator to Room? On these wild goals is humanity's upcoming designed. Clarke complicates his Tale somewhat Using the sudden arrival of the alien probe named Starglider, which comes, Rama-like, communicating openly and changing the globe permanently prior to drifting on. The idea of unseen aliens supplying us a certain amount of a nudge within our evolutionary route is a topic Clarke famously explored in 2001 and Rendezvous with Rama, and it labored much better in All those stories. Listed here, Starglider seems a little bit tacked on (as If your concept on the Orbital Tower is not SFnal more than enough), and Clarke introduces the wholly improbable idea that, merely by advantage of Starglider's testimony the existence of God is extremely unlikely and unnecessary (and located only in a small handful of the hundreds of Sophisticated alien cultures it's got found), all faith on the planet essentially stops.
At the end of The Fountains of Paradise, this ring habitat is shown for The 1st time, while it's 6 Area elevators instead of the 4 of 3001: Last Odyssey.
I kid you not. Arthur C. Clarke - avowed atheist - imagines an alien from on higher arrive at Earth and pronounce in its irrefutable superhuman knowledge, that Arthur C. Clarke has been appropriate all along and all religions are hooey. Now who could have guessed that twist? It truly is this qqcuan kind of jarringly humorous and incongruous episode in the midst of the remainder of the story that I really failed to know very well what to generate of it.
Within the stories, it is always really easy. We flit throughout the unimaginable gulfs concerning stars not While using the comparative ease with which we crossed the oceans (a lot less a true sense of the difficulty concerned), but with the ease that we push right down to the corner benefit retail outlet. If it seems not easy to get from here to there, we find alien artifacts that do the labor for us. If we despair at our capacity to cope, very well then we've been uplifted from our ignorance by passing benevolent alien patrons. We crack the laws of physics with the power of plot, and we settle into the simple fantasies of human hubris rather then face up to the immensity of Previous Gentleman Place with some type of maturity.
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At some point, Jules Verne is referred to in the novel, and The reasoning arrived to me this is very similar to a Jules Verne 'gadget primarily based' Tale, though below it's the space elevator rather than a balloon or submarine.
Right after reading through the very first few chapters, I forgot that it was an A. C. Clarke novel which i held in my hands. It felt much more like a little something from Poul Anderson or Robert Silverberg - Kings, princes within an unique subtropical landscape and these kinds of.
The other story, happening prolonged just after Morgan has died, deals with aliens producing contact with Earth.
Sir Arthur C. Clarke introduces the globe for the strategy on the Area elevator from the Fountains of Paradise. The Tale itself worries the technology, procedure, and obstructions to setting up this megastructure, having a parallel story within the distant previous of earthbound creating jobs on the longer term proposed elevator website.
When, who is aware of. But the thought of it ought to have already been comforting towards the folks while in the novel. We are NOT by yourself. Now, some reviewers did not like the really atheistic preferences with the probe, but I discovered I didn’t brain it. The truth is what else would the probe see when it attempted to know matters about us? Existence of a God can be a sort of a planetary obsession and has actually been for ever. It absolutely was nice to own someone just to come and provides The solution. Now the debate may be around and humanity can go forward to the subsequent obsession. House travel and House elevator. What brain boggled me, on the other hand is the fact we colonized Mars, but didn’t go past that? It’s just casually thrown in there for a fact and that’s it. should’ve been a lot more content material there. The ending (no spoilers) was only a large let all the way down to me. It should have been an emotionally billed experience, however it just wasn’t.